38
-
65
Roland TR-909
I cant do it face to face/Im talking to you before its too late/From my
videotape
66
, I cant do it face to face/Im talking to you
before..
67
its too late
, ,
Videotape -
Faust Arp
-
Today has been
the most perfect day Ive ever seen
68
65
- англ. drum-machine)
66
67
68
39
Videotape
In Rainbows.
40
Глава 2. Переводческий комментарий
2.1 Общая переводческая характеристика текста
1)
According to Yorke, the words to
other things, Victorian ghost stories and
Ir The Stepford
Wives, along with a more personal
experience of feeling t
consciousness [was] trapped without
being able to connect fully with anything
Bodysnatchers
-
A perfect Radiohead moment, in other
41
words, and a powerful ending to the
Radiohead
In Rainbows.
3)
The all-enveloping vocal reverb is
actually room ambience from Halswell
House captured on computer by Nigel
Godrich and used as an outboard effect;
-file guitar work
Halswell House
69
-
69
42
70
,
71
In the second verse, lines about
collapsing infrastructure and voltage
spikes make it unclear whether the
personal or political, related to a failing
love affair or in the chorus is personal or
political, related to a failing love affair or
an environmental crisis.
.
,
70
Николюкин, А.Н.
71
Там же.
43
,
hanging insistently on only a couple of
notes, but the chord movement behind it,
ey
Your
eyes, they turn me
72
73
.
72
73
Комиссаров, В. Н. -
44
- -,
-
45
2.2 Основные переводческие трудности, возникающие в процессе
перевода
Despite its extra sonic trappings
at the start and finish, the main body of
the In Rainbows is, aptly enough,
far closer to naked, with sizeable
stretches of the song featuring only
-
restrained kick, hi-hat and rimshots
guitar arpeggios).
-
46
fader pedalboard
reverberation (reverb) hi-hat -
delay
I
Jonny adds to the insistent forward
aggressively picking upward on his
damped guitar strings, producing a
his guitar makes the sound more
threatening.)
Creep
(slapback delay
74
,
. ,
74
Slapback delay
47
-
Still Thom remained dissatisfied,
and when the time came to record the
song, it went through a number of
rearrangements, a process that its
principal author later described as
absolute agony
75
Videotape
76
1)
:
75
And Thom York
76
David Byrne And Thom Yorke On The Real Value Of Music
wired.com, December 18, 2007.